逗grace flick on the attack

Pinyin: dòu

Left hand, sliding

Also written: 豆

At the very moment the right hand plucks, the left finger darts to meet the sound, adding a brief ornament to the attack.

How it is played

All sources separate dou from zhuang by timing: zhuang comes after the note has sounded, dou coincides with the pluck. In the instant of plucking, the left finger makes one quick movement near the home position and settles, so the note is born with a tiny inflection. Which side it comes from differs between handbooks (see below). Keep it light, fast and clean; heavy it turns muddy, and it should not be overused.

How it sounds

A very short slide or ripple on the attack, then steady on the main note; lighter than zhuang.

In the classical handbooks

於急綽至位之際,捷速迎其彈聲,以出本位之音。

Gist: At the moment of a quick chuo into position, swiftly meet the plucked sound to bring out the note at the home position.

Qinxue Rumen (Introduction to Qin Studies) · 卷上·左指按法字母 · Qing dynasty, 1864 · View the original page · View source(opens in a new window)
撞法係從按位已彈後急取一聲,逗法則乘綽位速彈時急取一聲。用逗法必輕清敏捷,取音細淨為佳。

Gist: Zhuang takes a quick note after the stopping position has been plucked; dou takes a quick note as the finger arrives by chuo and the string is plucked at speed. Dou must be light, clear and nimble; a fine, clean note is best.

Qinxue Rumen (Introduction to Qin Studies) · 卷上·左指按法字母 · Qing dynasty, 1864 · View the original page · View source(opens in a new window)

Where sources disagree

From which side dou approaches, and its timing relative to the pluck

Easily confused with

References